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Team Dolly

Team Dolly is a collaboration of writers, editors, and publishers assembled by Dolly Parton Productions. Each member is dedicated to accurately publishing the latest news and historical archives of the living legend that is Dolly Rebecca Parton.

Managing Editor - Jacob Timmons
Creative Director - Sarah Chapman
Senior Editor - Amanda Webb

Dolly’s acoustic box set, ‘The Acoustic Collection 1999 – 2002,’ includes songs from her popular Bluegrass recordings

On October 10, 2006, Dolly released a box set called “The Acoustic Collection 1999 – 2002,” produced on the Sugar Hill label. This acoustic collection includes several of her most beloved Bluegrass albums (“The Grass is Blue,” “Little Sparrow,” “Halos and Horns“) and a bonus disc including several remixes of previously released songs, two songs from the tribute album “Just Because I’m a Woman,” four music videos (“Shine,” “I’m Gone,” “Dagger Through the Heart,” “The Grass is Blue” – with Norah Jones), and a full album of pictures from the recording sessions for the three albums that form the core of the set.

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Team Dolly

A tribute album featuring an elite group of artists performing Dolly’s songs

On Oct. 14, 2003, Sugar Hill Records released a multi-artist Dolly tribute album entitled “Just Because I’m a Woman: The Songs of Dolly Parton,” named after her 1968 song and album of the same name. The album included cover versions of Dolly’s songs from an impressive and diverse list of stars–

Alison Krauss
Melissa Etheridge
Norah Jones
Joan Osborne
Shelby Lynne
Mindy Smith
Emmylou Harris
Shania Twain
Kasey Chambers
Sinead O’Connor
Allison Moorer
Me’Shell Ndegeocello

The album’s last song is Dolly’s re-recorded version of the title song.[/vc_column_text][/vc_column][/vc_row]

Shania Twain and Alison Krauss’ version of Dolly’s song, “Coat of Many Colors” received a GRAMMY nomination for Country Collaboration With Vocals. Emmylou Harris said of the album and Dolly,

“I believe it is the poet in Dolly, the songs that pour out from her soul and into our grateful waiting hearts that have both anchored and lifted her over the years… This is perhaps her most enduring legacy as an artist and the one we celebrate here with this album. Dolly you done good.”

Dolly’s reaction to the album and the contributions of so many young artists reflected her usual good humor and perspective,

“With all these young people (around), I had this joke I’ve been kidding them with… I said, ‘Hell, I was already into plastic surgery when you were still sleeping on plastic sheets!'”